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 I don't think I've ever set resolutions, really, but I actually do have several goals/improvements I'd like to achieve this year:
  • Be more focused at work, and start working on longer term projects. Seek out connections to other colleagues to identify where I can help.
  • Write more long form meta (and continue to resist forming thoughts in twitter length bites!)
  • Be more deliberate about social media usage.
    • Be better about reaching out to people (both in and out of fandom), bc conversation is often more satisfying than mindless consumption.
    • I think this means I need to more aggressively unfollow people + curate, but it's hard bc people take that as a Social Signal... (I did finally go through and revoke access for people who haven't been on DW in years, not that I lock anything anyway. Just in case.)
    • Reorganize my DW/tumblr tags and either set up proper links between them or nuke tumblr entirely. 
  • Continue to track books and media consumption.
    • Come up with some way to track my short story and long form news article consumption? (I currently bookmark the best-of, but it seems too cluttered to track /everything/ on DW. What to do...)
  • Continue to actively practice Chinese. I'll set a goal of reading two cnovels to match this year.
  • I discovered this year that the tidiness of my space really affects my outlook. I'll set a goal of donating the things that I no longer need (and so don't have a dedicated 'home') as soon as numbers decrease in this area. 
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I considered doing a year-end wrap up, but realized that I didn't track all the stuff I consumed at the beginning of the year and my memory is therefore too bad to do that. Maybe next year, if I keep up the media diet posts?




Books: A Man Called Ove, The Ghosts of Birds, A Marvellous Light )

Movies: The Wandering Earth, Cats (2019), Fantastic Fungi (2019) (DNF) )

Other visual: Love, Death + Robots, A Man Who Defies the World of BL, Nodame Cantabile, Mr Queen (DNF), Johnny's Countdown )
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My thesis: everyone's unique and varied life histories mean that blunt forms of gatekeeping invariably hurt those they intend to help. No one is static and failure is how we grow.

I'll first discuss how my particular background affects my perspective, why I think gatekeeping negatively impacts people within the diaspora community, with a detour into how this leads to the facile recommendation of “research”.

The direction I'd like to push the conversation: examine your take and ask yourself who is going to read it? Who is going to read “you’re a guest in this house” and feel like, wait, are they really Chinese? What effect do you intend to have?

Disclaimer: the timing of this post is obviously in conversation with other tweets; however, it is not intended to directly address any particular tweet, but overall trends in fandom. In other words, this is not a subtweet of anyone, but rather arises from several conversations I've had over the last year. Parts of this post were written as far back as 2020!

Read more... )

In conclusion:
people should be allowed to fail in fandom, to get things wrong, to learn and to grow. If you're going to try to set norms, you need to consider their side effects and the rationales and logic behind those decisions.
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I'm grateful that Dreamwidth exists as a mostly non-commercial space for fandom and non-fandom activities alike.

Inspired by [personal profile] jjhunter's (annual?) offer to gift paid time, I'd like to offer to buy a month of paid time for anyone in my community (aka if you see this post!). Paid time features are here.

Please comment below if you'd like to try a paid account out! Comments are screened. If coming from twitter/tumblr, please comment here and not there! This is because to gift paid time, I'll need your Dreamwidth username. 

In the interest of fewer credit card transactions, I'll keep this offer open for one week (until Dec 7) and send everything out at once! 
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holiday love meme 2021
my thread here


I'd always been too shy to do love memes before this year, but growing up seems synonymous with becoming brasher haha!

I hope everyone is having a good day, whether or not they're celebrating! I was told on Monday that I was in charge of Thanksgiving, then Tuesday my sister said she was getting Wednesday off and if we could do Thanksgiving a day early? But I think we pulled it off well! I can't seem to hotlink the twitter pictures, so here's a link to them
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Tallest Giraffe
The original problem was that bf is 11 inches taller than me, so bf would preferentially eat the lower shelf, tastier snacks and then later all the snacks would be out of my reach. However, this meaning extends to any case where one person may have metaphorical access to a wider range of foods. For instance, I like my bananas slightly less ripe than bf, so I will often eat all the bananas before they're ripe enough for him. (I now buy two bunches and any leftovers get frozen.)

Hungriest Hippo
However, if there isn't an access problem, but one person is merely hungrier and faster at eating the snack, it falls in this category. I will eat the cheese for breakfast and therefore end up consuming most of it and consume ice cream at a higher rate. We are at parity for flaming hot Cheetos; no one entering our household should expect to out hungriest hippo those.

Fittest Finch
If the problem isn't wider access, but a complete inability to get at the food, it's not tallest giraffing. For example, I cannot get ice out of our detested ice cube tray OR separate the frozen bananas that have merged into one big block. I am not the fittest finch.
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Originally this was meant to just go into a monthly round up, but it was a bit too long ^^;

Anyway, this book was ULTRA hyped, as a queer Chinese-inspired historical fantasy! The premise: the second daughter of the Zhu family goes from less than nothing--a child during a multi-year famine with a fate of nothingness--to found the Ming Dynasty.

Unfortunately, I didn't like it overall.

Let me start with what I did love: General Ouyang, the eunuch general of the Mongol forces, in service to the empire and Prince who executed his family to the ninth degree, who still feels desperate admiration and love for Esen, the shining perfect Mongol warrior son of said Prince. Good tormented feelings, A+, STELLAR ending scenes, will be looking up fic of him stat.

But despite moments of shining glory like that, and some other good interactions and scenes, the majority of the book was just-- lackluster. My main impression was that the world (and maybe half of the characterizations?) felt pasted on. Characters would have an interesting thought, but then it wouldn't feel integral to their worldview. The world never felt lived in or had depth.

Part of this came in the form of moments where I had to stop and forcibly reconcile with the rest of the world. For example, "it was like seeing that the road ahead had collapsed down the side of the mountain, but not being able to stop" -- from a peasant who has never known anything but famine and seen the army only at a distance? What could she possibly have been on that could have that inevitability? When the love interest gets described with phoenix eyes at one point and willow leaf eyes in another; these are distinct and different eye shapes? The methane as having scent -- perhaps there are other gases being released in that area, but the description of it uses a coal mine, where it is famously odorless. I could go on, just lots of small details that required a "did I misread" stopping.

The other half of the uncomfortableness was how much of the early narrative made me feel like I was being told something that didn't need saying. It was very in your face, let me describe everything so you don't misunderstand level description. This handholding and lack of mystery is generally something that doesn't appeal to me, though perhaps appeals to others.

HOWEVER, saying all this, I do think a lot of these issues may be debut novel problems? There was the skeleton of interesting characters for sure, and confidence in not telling too much comes with experience. Also, if you're interested in queer Chinese-inspired historical fantasy, your choices are somewhat thin on the ground (in English anyway).
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(Side note: REALLY enjoy being able to search all public entries on DW for bookblogs about books I've read. It tends to complement the stuff that gets mentioned in more formal book reviews well.)

These are part of a longer series of mostly murder mysteries, published and set in the Interwar period. I assume that most people have heard of them already ^^; In Strong Poison, the protag for most of the series, Peter Wimsey, meets Harriet Vane, a novelist on trial for murdering her ex-lover. Inconveniently, her latest story is about arsenic poisoning and well, guess how her ex was murdered? Peter must figure out the real murderer (or if it was suicide) in time to acquit her. Also, Peter falls in love with her immediately, but she turns him down.

Gaudy Night is a bit further along the timeline, skipping a few books, where Harriet returns to her alma mater. There have been harassing messages etc left about, and in order to keep the reputation of the college, Harriet is asked to investigate on the down low. Busman's Holiday immediately follows, wherein they are on their honeymoon and find the dead body of the former owner of the house they've bought. (It started out life as a play and you can tell in its high and sometimes confusing reliance on dialog.)

I read this in quite the wrong order, doing Gaudy Night, then 'accidentally' falling into Busman's Honeymoon and Strong Poison. (The first bit of Busman's Honeymoon was at the end of my copy of Gaudy Night and it was gossipy epistolary in the way that really WORKS for me, so I couldn't help myself. Then [personal profile] x_los said how this was the end of the romance and it didn't make much sense without the beginning so I ended up reading Strong Poison too.)

One of the novels' real strengths is the sense of place; Sayers pays attention to what was then contemporary life so well that they have the vibe of historical fiction. (Possibly this goes the other way round, and the vibe of historical fiction is influenced by this type of novel.) Side characters aren't always as fleshed out, but what you get is very interesting; it's not cardboard cutout side characters, but just irrelevant to the plot so you don't get to dive deep into their interesting bits. 

The mysteries themselves are kind of whatever. The conclusions come a bit pat, and it's definitely not what made it fun for me.

Of the three, Gaudy Night is probably my favorite. I love women's college settings, I REALLY did not like that a murder mystery in this era inevitably ends in the hanging of the murderer. I like that Sayers doesn't flinch from that, but to me, it strays quite close to manpain in execution. [personal profile] x_los said that Sayers is the only one in this genre/time that is really struggling about these issues with the aftermath of the war and the death penalty. Even without that wider context, it's obvious that SOMETHING's going on in the novels about those topics, it's just that it tends to come through (to me) as Peter being slightly annoyingly jangly instead of interestingly jangly.

Anyway, fast and fun reads. I'd more rec them if you'd like the sense of Interwar Britain than anything else?
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This is one of the best movies I've watched in recent memory! (I... need to re-organize my tags so I have a separate cdrama and movie tag, don't I. Hmm.)

The premise: a novel has been published that describes the friendship of Li Ansheng and Lin Qiyue, bringing all those painful and happy memories of the past to the front of Ansheng's mind. Once upon a time, they were the best of friends. Yet despite their painful separation, in their hearts, the other was the only one who truly loved them.

I cried for most of the movie, and it felt earned. The relationship between Ansheng and Qiyue was so complicated and emotional, and both actresses were incredible. The movie did some good foreshadowing and repeated and reflected themes and imagery too. Using bras to represent freedom and womanhood, a bit of an easy reference perhaps, but done well.

I don't know how to say anything more without spoilers; I usually am quite lax with spoilers and reading spoilers, but I think this is worth watching unspoiled! Some ROT13 spoilers:

Read more... )

ANYWAY it was so good and I'd highly rec it!
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First, I'm just going to point you to Erin's much funnier and more thorough review.

The premise of the story is Shen Jianguo, a just-graduated PhD student of Ideological and Political Communication, is in search of a job! He answers a Mysterious Teaching Ad and finds himself teaching some unusual students (ghosts! They're obviously ghosts!!). Ostensibly a danmei, the love interest, Ning Tiance, shows up and is obviously an exorcist!

This is even better than ISMM as a first novel to read in Chinese, as it relies much less on references for the joke, and uses relatively straightforward prose. Also the vocab can mostly be found in a dictionary, though I guess I have MDZS to thank for me knowing 乱葬岗 (burial mounds) in advance. Useful daily life vocab in other words. (There was actually useful vocab like 同妻/同夫 for beard.) And if you don't know Chinese or want to check against a translation, GREAT NEWS, the E. Danglars translation is one of the best fan translations I've ever encountered.

As usual, I'll start with the good. The shenanigans while SJG was oblivious to ghosts and just powering through being all "THE RIGHTEOUS WAY": hilarious. (Since the main text is through SJG's eyes, I did rely on the author's notes to understand some of the double meanings, but I may not have been paying enough attention.) I also really enjoyed the varied and interesting backstories on some of the ghosts! Even though they obviously had sad lives, the SJG POV spares you from the brunt of it: while he's not unsympathetic to those problems, he's very optimistic. The matter-of-fact acceptance of his homosexuality and how his friendship with his (male) college friend, Xia Jin, are portrayed are also top notch.

The novel is hyperfocused on the ghosts' emotional barriers to moving on, and doesn't go beyond this scope. (i.e. bringing crimes to the attention of the authorities is sufficient redress etc.) However, that's clearly not in the intended scope of a lighter novel. I felt like I would have enjoyed more ghost backstories or more development of NTC? OTOH, the author was clearly ready to wrap up by the end, since the chapters get really short, so maybe dragging it on longer would not have been fun. Indeed, the first three extras, that are a retelling of the novel from the POV of NTC are largely boring. To me, the ending is simultaneously a little slow AND too short as a result, since not much new was happening but also words had to explain how it was wrapping up?

In short, I'd recommend this as a fun light novel, with great shenanigans, unreliable (oblivious?) narrator, and a charming protag.

In other news, I'm so pleased that danmei book club has finished a SECOND BOOK, go us! I'm not sure if we'll do another, since a 4 ch/wk pace is... really too slow for a longer novel? But if you're potentially interested, shoot me a message! We're considering other short-ish light novels.
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It's really hilarious how quickly I'll read an ebook that's on my phone vs one I have a physical copy of, and I really think it's that I can hold the phone one handed... I never feel motivated to read on my bf's ebook reader either. Do they make tiny e-ink devices? Are those too limited by screen refresh rates to be doable? Anyway, I have three physical library books + a gazillion unread ones sitting on my bookshelf and those have stayed unopened all month. Alternatively, the time pressure of an ebook that disappears in two weeks vs a physical book that I can have out for months...

Under the cut: Detention (2019), Crying in H Mart, Liquid Intelligence, Becoming Eve, Invisible Cities, Day of Becoming You (DNF), On Earth We're Briefly Gorgeous )
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A 12 ep Republican era drama with a heavily implied f/f main pair. I guess it's a bit of a murder mystery, though it's combined with a heavy dash of domestic fluff. I livetweeted it under #coupleofborbs!

Since it's so short, it's a bit difficult to summarize without being too spoilery? But we have the two female leads: Xu Youyi, a bestselling writer in Shanghai who married into a rich, well-connected family, and Yan Wei, an assassin who owns a photography studio. Xu Youyi comes off a bit naive, but I think it's deceptive: she's mostly being quiet to smooth things over because she can't do anything else. Yan Wei is very tsundere. Nearly everyone else in the show is an asshole to varying degrees.

I thought it was strongest at the beginning when they leaned into the whole 'unreliable narrator', using repeated visual imagery to complete the whole story of what was happening. It was very quiet / not much dialog during the beginning, really using those visuals to tell the story! I enjoyed that kind of thing a lot. It was also when they were most developing the setup and characters, so even the secondary characters were still interesting. I liked trying to figure out the motivations of the various characters!

It was towards the end, when it was all about the handful of entitled male characters and their manpain that it weakened. Also, it seems they did an abrupt addition of a cliffhanger to setup a season two? Weird and unpleasant. The cops were boring boring boring, I don't see why we needed so much focus on them.

While the girlfriends being domestic was very cute, I don't think it could have stretched to much more than already was there, so despite 12 eps being really short already... I kind of feel like it would have been stronger if it were even shorter and more focused? OR if there was more plot shoved in or more interesting secondary characters!

Other superficial thoughts: Xu Youyi has such a cute pout + great sajiao! (My mom didn't think the actress was very cute, to my incredulity.) The outfits / styling were very pretty, though probably ahistoric. The cat was very cute.

Overall, I really loved the beginning and middle, and though the ending was weak, I think it's still worth a watch if you're into cute f/f couples, republican era stylings, or mysteries. (And as a not-guzhuang, I can finally talk to my grandparents about it! My fam refuses to watch guzhuang shows lol.)

Rot13 spoilery CW: punenpgre qrngu, puvyq qrngu, zvfpneevntr, puvyq fbyqvrevat (va na haernyvfgvpnyyl ybj genhzn jnl)
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My workplace will give some money to orgs that you volunteer for. It's new of this year, and all the places I volunteered for before were all in person, so I'm casting about for something. Needs to be 501(c)(3) and I think they need to fill out some forms or answer questions if they're not already listed. Ideas?
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I was going to save this for my media round up, but it turned out... so long... I guess it will be a separate post!

This is a scifi novel wherein multiverse travel only works if the traveler is dead in the target world. In a dystopia where those living in a walled off city are healthy and thriving while those outside the walls suffer from exposure and pollution, the traversers, largely from outside the city so their counterparts' higher death rates can give them access to more worlds, can precariously make a life in the city... for now.

I'll start with what I enjoyed! I thought the plot was engaging, and the characters interesting. The way the multiverses are set up, each characters' counterparts are really like AU versions of themselves, where you're meant to see some of the similarities and how they reflect onto the Earth Zero version. The confusion over what Cara, the main character, feels about each version of the other characters and how those feelings bleed through also was really interesting, how they were separate people, but also not really separate.

I also thought this was one of the deftest touches of handling nonbinary and bisexual characters in a novel, where it was just accepted instead of getting... for lack of better word, issue!ficcy.

However, my main issue with this novel was that the worldbuilding was so thin. I really had to turn off every part of my 'science logic' brain for this one because every attempt to be sciencey really fucked with my suspension of disbelief, from the big (how the multiverse could contain exactly the same people down to genetics / appearances yet have such large differences in history instead of being super similar) to the small (you can't make guns from random scraps of metal). But even beyond that, the world just didn't feel DEEP, you know? Everything felt like a thin skin of commentary over current issues, without a lot of thought over how they'd interact or change in this new environment.

I don't regret reading this, but I don't think I'd recommend this unless this genre is exactly one which suits you. Also, perhaps Memory Called Empire has spoilt me for considered worldbuilding.
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Twitter sent me a Twitter anniversary notif recently, it seemed like a good time to reflect on ~returning to fandom~ last year. Also I refuse to read five books in five days, I think my brain may be turning into mush.

Some disconnected thoughts:
1. I always was a little sad that the fandoms I was in were not well documented. I don't know if it was just that the fandoms were smaller (probably for the animanga ones) or more private (...definitely for jpop/kpop which had more locked stuff), but I'd go look at the some long write up in SGA or HP fandom and be-- envious. Part of this is that I have a truly awful memory, reading other people's recollections helps me remember in turn. (I'm great at googling and searching through notes though, so I can pretend!) But also, I think it's the nostalgia for a tiny slice of the internet that few people remember and that is impossible to reconstruct, so much having disappeared over the various LJ deletions and locks.

2. High school me was an idiot, which makes me look on young idiots in fandom with more tolerance. But the resurrection of high school esque clique behavior by adults is so irritating. Sometimes it feels like fandom devotes its time primarily to voyeuristically hating one person, or group, or idea, in order to solidify its in-group dynamics. Then I block on twitter or hide on DW until those things stop appearing and life is better.

3. Speaking of twitter and discord and tumblr, beyond its speed, one thing all the new generation of socmed has in common is the lack of information preservation. Articles on the youth's use of socmed made me realize this is a feature. Perhaps in some ways it's better-- more like natural communication in person. But I love backreading people's journals through tags. I miss that part of it. Tumblr could get the closest to that experience, but it's just not as easy because most people don't curate with that intent.

4. But I don't know if I have a real fandom anymore. Qihun is closest I suppose, tiny fandoms 5ever. But the bulk of my writings are-- food pictures and musings on twitter. Bookblogs and media reviews on DW. Is that still being in fandom? My reading list on DW is mostly book-and-personal, with a handful of fandoms that I'm not fully in. Don't get me wrong, I love book reviews and personal blogs. But I miss meta. Fic still being posted elsewhere and all, meta is what I feel like I lack.

5. I'm so lucky though. It turns out, it wasn't just college causing me to drift away-- it really was that I didn't understand the tumblr experience. (I've gone back to following tumblrs of interest on my RSS reader.) I can enjoy myself on twitter and discord, while keeping a reasonably active DW reading list, and be happy with that balance. It would be hard for me, coming back, if I couldn't use all of those. DW alone wouldn't have been able to feed my fannish feelings in smaller fandoms. It would be hard to make friends on twitter alone, but then it's hard to meet people through discord without an 'in'. (Though I suppose I have met good friends through discord alone.) So for me personally, I'm lucky that I could use all three.

6. I'm so lucky too, for making good friends through fandom once again, after I felt so lonely in the post-grad life. Friends who I disagree with, who challenge me, who clarify my views, who I learn so much from. Friends who are cozy marshmallows of joy. Friends who share this interest of taking something we love and making it more.
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Originally written for a friend about to embark on setting up her kitchen for the first time, this is a list of "consumable pantry" type items (i.e. stuff that lasts ages) grouped by how often I use things and how important I think each item is. This list is obviously heavily biased towards the stuff I cook: primarily Zhejiang Chinese, easy Western dishes, and forays into other cuisines for particular flavors that appeal to my tastes.

Mostly posting for posterity, but I WOULD be interested if people disagreed on priorities or had things I don't use! In other words, I am always interested in going way too in depth on the topics I'm interested in. 

Read more... )
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As I was on vacation for like a month (post... still forthcoming), my media consumption dropped way off. Still, got to read a bunch of stuff on planes.

This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone: Two enemy agents travel through time + universes altering events to favor the future in which their side wins, begin to exchange letters, and fall in love. I'd have loved it if it were half as long, but it felt, well, approximately twice as long as it needed to be. Fluffy language, and I thought it rather neatly tied together the foreshadowing at the end.

A Memory Called Empire by Arkady Martine: An independent space station living at the edge of an expansionist empire receives a demand to send a new ambassador. Mahit is, like the previous ambassador, a huge fan of the empire's culture, but is without some critical tools an ambassador from her station would normally rely on, namely a functional copy of the previous ambassador's memories and consciousness to guide her. I really loved that the historical referent was something more obscure and you could really tell that Martine knows that history inside and out. As a result, it felt like a unique and rich exploration of colonialism and politics. I do think it tried to guide me on what to think a little too much-- sometimes the narrow and twisty plot was a little too narrow. Still, I found this book to be really meaty and well worth sinking your teeth into.

Desdemona and the Deep by C.S.E. Cooney: The wealthy daughter of a mining family has finally found the line where she will have to take a stand, when her father forces an exchange of a tithe of men in exchange for oil. This reads extremely YA to me, in a negative way. The plot was rather straightforward and the problems always immediately solved. There /are/ really interesting and imaginative details in the worldbuilding though! Just not very satisfying and felt rushed.

Beowulf: A New Translation by Maria Dahvana Headley: I thought this was very interesting, the way it skipped between the hypermodern and the alliterative / playing with the original poetic form. Definitely easier to read than the translation I read in high school English class haha.

Also I've been reading They All Say I've Met a Ghost for reading club and watching Couple of Mirrors (livetweeting under #coupleofborbs here), but I'll probably do full reviews for those when I finish. Ooh, I should also compile the more interesting poems from the Shijing / 19 Old Poems for poetry club! We're onto Mulan now, doing some short one offs for now. Over on [community profile] dankodes if you want to check it out!
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I hiatus-ed from twitter during vacation last month (post forthcoming), and was DW- and discord-only for a bit. During that time, I was thinking about what I missed most, and really it was Interesting Thoughts. (Modern fandom slang might be 'content,' but I hate that haha.)

And I remember that when DW migrations were discussed on twitter, one of the common refrains was not knowing where to start. I feel like friending memes are kind of high pressure because of the expectation of reciprocity if you're totally new! Also, you have to BE THERE when the meme is still active. So I was thinking instead about:

✧・゚: *✧・゚:* INTERESTING PEOPLE TO SUBSCRIBE TO *:・゚✧*:・゚✧


I propose that people comment (anon or not) with some DW users they subscribe to that may be of interest-- be it for meta, book reviews, interesting observations, community-in-their-comments, etc.

I'm assuming here that the previous LJ norm of silent friending being creepy has now fallen by the wayside, and if someone has a public blog they're happy/neutral to have new subscribers, but if you are mentioned and don't want to be, feel free to message me and I'll screen the comment.

Signal boosts appreciated, here or on tumblr or twitter.
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tl;dr An extremely well executed mystery period drama, with an excellent main cast.

Instead of a premise ("mystery period drama" actually covers it pretty well), I'll start by introducing you to the main four characters.

Read more... )

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