superborb | Reading

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What I’ve Just Finished Reading

Lo these many years ago, after my grandma died, I helped sort out her bookshelves, which held books all the way back from her book-loving aunts and uncles in the early 1900s. As I was at the time in a graduate program, staring down a Ph.D. thesis set roughly in that era, I took a few books that seemed representative, including George Barr McCutcheon’s The Alternative, as McCutcheon was a famous Hoosier humorist of the time period.

So was Booth Tarkington, whose work is still very funny, so I approached McCutcheon’s book with high hopes. However, this is perhaps not the place to start with McCutcheon, as it’s a bit of weightless romantic Christmas fluff that barely cracks one hundred pages despite largish type and beautiful green leafy borders around each page.

Beautifully printed, though. I might keep it just as a lovely example of the printer’s trade.

I’m not usually a bit audiobook person, but when

troisoiseaux told me that Michael Schur (showrunner for, among other things, The Good Place) read his own audiobook WITH THE CAST OF THE GOOD PLACE, of course I had to listen to it. A fun romp through the history of moral philosophy, focusing most heavily on Aristotelian virtue ethics, utilitarianism, and Kant.

Schur is good at amusing descriptions of different moral approaches to problems, but less strong when he wanders off the beaten path to discuss, say, what moral philosophy has to say about engaging with the art of terrible people (or chicken sandwiches made by chicken sandwich companies with politics you abhor, etc.). He ultimately comes down on the side of “I guess you gotta decide for yourself,” which isn’t really guidance, especially after he’s just run through why he thinks virtue ethics, utilitarianism, and Kant’s Categorical Imperative suggest that you should give up that literal or metaphorical chicken sandwich. Have some guts, man! Either stand by your moral reasoning, or offer a counterargument why actually it’s FINE if we all chow down on some Chik-Fil-A.

What I’m Reading Now

Padraic Colum’s The Big Tree of Bunlahy: Stories of My Own Countryside. Colum won a couple of other Newbery Honors, both of which I felt were dry and dull, but apparently all Colum needed was the inspiration of writing about his very own corner of Ireland to blossom into a fascinating storyteller. I’m doling the book out one tale a night and it’s still going to end far too soon.

What I Plan to Read Next

Evelina has arrived!

lirazel

My friend yutaan makes amazing paper art and also does commissions a few times a year. In the past, I've been lucky enough to buy some The Untamed minis of Lan Wangji and Wei Wuxian and also of Jiang Cheng and they bring me great joy.

And when she opened up this round of commissions I was like, "Wait. What if I got more minis of favorite characters?"

Well, I asked, and she made! And they are as delightful as I thought they would be!

( Jane Eyre )

( Spock )

And best of all:

( Gen and Attolia )

They are in the mail on their way to me and I am very happy!

dolorosa_12

What I have seen, essentially wall-to-wall across social media, for the past week:
-'Why is no one talking about [this atrocity]?'
-'Why are people talking about [this injustice and not that injustice]?' (Often two different posts by two different people, in quick succession, with said injustices reversed.)
-'What you are doing in response to [this injustice] is insufficient.'
-'If you haven't mentioned [this atrocity] on your social media, you're part of the problem.'
-'If you've mentioned [this injustice and not that injustice] on your social media, you're a hypocrite and part of the problem.'
-'You're protesting the wrong way.'
-'Protesting when it's permitted by the state isn't real protest.'
-'These protests are all a bit cringe, aren't they?'
-'You're condemning [this atrocity], but not in the right way.'
-'You're condemning [this atrocity], but far too late.' (This coming, without irony, from the same people I witnessed several years ago saying, 'it's never too late to find courage and speak out publicly against [this same atrocity].')

What I have seen, in much smaller numbers — a little fragment struggling to stay afloat in the deluge:
-'[This injustice] is an injustice for these specific reasons, and here is something concrete that anyone reading/viewing this post can do to help.'

Needless to say, whenever I witnessed the latter, I actually did the things suggested, and felt much more of a sense of agency and purpose, than when I saw the former.

(And obviously I recognise the irony of being irritated by people complaining about what they see/don't see on social media rather than trying to offer concrete solutions to the consequences of major (geo)political injustices ... and then writing a whole post complaining about what I see/don't see on social media. But I am just. so. tired.)

marthawells

Storyteller: A Tanith Lee Tribute Anthology

Out in ebook and paperback on July 1. My story is "Data Ghost"

https://bookshop.org/p/books/storyteller-a-tanith-lee-tribute-anthology/a74b320486117220?ean=9798992595406&next=t

https://www.kobo.com/us/en/ebook/storyteller-a-tanith-lee-tribute-anthology?sId=e0bafab6-32a8-4ffb-9436-2dcda473349c

Edited by Julie C. Day, Carina Bissett, and Craig Laurance Gidney. Stories by Martha Wells, Andy Duncan, C.S.E. Cooney, Nisi Shawl, Mike Allen, Alaya Dawn Johnson, CL Hellisen, Maya Deane, Rocío Rincón Fernández, Theodora Goss, Getty Hesse, Starlene Justice, Amelia Mangan, Michael Yuya Montroy, Marisca Pichette, KT Wagner.

Sixteen new stories from some of today's most renowned authors. All inspired by the master storyteller Tanith Lee.

Drowning cities and unicorns. Burning deserts and forgotten gods. Golems, elf warriors, and inner-Earthers. Alien lifeforms and museum workers. Ancient plagues and the future of humanity. The familiar and the fantastical. Each story in this anthology is both unique and compelling: from fairy-tale retellings to romance-tinged high fantasy, from nihilistic horror to gripping science fiction. Immersive, wide-ranging, and sublime, Storyteller features worlds and characters that are sure to travel with you long after the last page has been read.

***

Short Story: "Rapport: Friendship, Solidarity, Communion, Empathy" by Martha Wells

will be available on Reactor Magazine on July 10

Illustrated by Jaime Jones
Edited by Lee Harris

Perihelion and its crew embark on a dangerous new mission at a corporate-controlled station in the throes of a hostile takeover...

***

Summer of Science Fiction & Fantasy: Martha Wells in conversation with Kate Elliott

https://www.clarionwest.org/event/summer-of-science-fiction-fantasy-martha-wells-in-conversation-with-kate-elliott/

July 30 @ 6:00 pm – 7:30 pm PDT

The Clarion West Summer Reading Series will be held virtually and streamed live over Zoom during the Six-Week Workshop.

Join us for our final event, a conversation between Martha Wells and Kate Elliott!

This event will begin with a conversation between Martha and Kate. There will be time to take questions from the audience. Participants will be able to submit questions in the webinar.

***

The New Yorker announced "Platform Decay" will be the next Murderbot novella. No word on publication date yet.

***

Grimoire: A Grim Oak Press Anthology For Seattle Worldcon 2025

https://grimoakpress.com/products/grimoire-a-grim-oak-press-anthology-for-seattle-worldcon-2025

My story is a fantasy called "Birthright" which is reprint that's not currently available anywhere else.

***

Queen Demon, the sequel to Witch King, second book of the Rising World, is up for preorder and will be released in ebook, audiobook, and hardcover on October 7.

From the breakout SFF superstar author of Murderbot comes the remarkable sequel to the USA Today and Sunday Times bestselling novel, Witch King. A fantasy of epic scope, Queen Demon is a story of power and friendship, of trust and betrayal, and of the families we choose.

Dahin believes he has clues to the location of the Hierarchs' Well, and the Witch King Kai, along with his companions Ziede and Tahren, knowing there's something he isn't telling them, travel with him to the rebuilt university of Ancartre, which may be dangerously close to finding the Well itself.

Can Kai stop the rise of a new Hierarch?

And can he trust his companions to do what's right?

Bookshop.org https://bookshop.org/p/books/queen-demon-martha-wells/21751501?ean=9781250826916

B&N https://www.barnesandnoble.com/w/queen-demon-martha-wells/1146167707?ean=9781250826916

Kobo https://www.kobo.com/us/en/ebook/queen-demon

Audiobook Libro.fm https://libro.fm/audiobooks/9781250291981-queen-demon

Bakka-Phoenix (indie bookstore in Canada): https://bakkaphoenixbooks.com/item/3Czr8TaWU9-_fwJ25ytSCw

marthawells

In ‘Murderbot,’ an anxious scientist and an autonomous robot develop a workplace-trauma bond

https://www.latimes.com/entertainment-arts/tv/story/2025-06-13/murderbot-episode-6-alexander-skarsgard-noma-dumezweni

Leading a TV series is a first for Dumezweni, who has previously been cast in smaller roles. She wasn’t convinced by the initial pitch at first because sci-fi hasn’t traditionally had a lot of major roles for actors of color.

“Usually I’d come in and play the receptionist,” she says. “I love to watch sci-fi. But I wondered: Who am I going to be in this sci-fi world?”

However, once she learned more about the world and the character, the actor changed her mind.

“It was an absolute joy to discover that there was nothing that Chris and Paul had to change to make it representational,” Dumezweni says. “It’s lovely not to have to fight for people’s positions in the world based on their skin color.”

ETA: Wanted to add this one real quick from BlueSky:

Vestal Magazine: Noma Dumezweni -- Off Canvas

https://www.vestalmag.com/noma-dumezweni

Set in a near future where the line between machine and human is increasingly blurred, Murderbot explores themes of identity, autonomy, and what it truly means to be alive through the eyes of a self-aware security android. Adapted from Martha Wells’s beloved The Murderbot Diaries novels, the series blends gripping sci-fi action with sharp, witty humor. At the heart of the story is Noma Dumezweni’s portrayal of Dr. Ayda Mensah, the thoughtful leader of a pacifist civilization struggling to uphold her community’s ideals amid a universe dominated by corporate greed and political tensions. Noma brings to the role a grounded strength, embodying the delicate balance between idealism and pragmatism as her character wrestles with the burdens of leadership and moral compromise. The parallels between Noma and Ayda run deep: both choose to lead with heart, courage, and conviction. “Your head will try to talk you out of that feeling of expansion. It will tell you, ‘You can’t do this,’” Noma says. “Trust your body, trust your instinct. Your body knows the truth.” That instinct and bravery have guided her career, from becoming the first Black actress to portray Hermione Granger on stage, a landmark moment for representation in theater, to winning two Laurence Olivier Awards and becoming a beacon of inspiration for a new generation of actors. Like Ayda, Noma has forged a path not only of leadership, but of quiet, transformative power.

Lovely photos in this!

osprey_archer

I wrapped up the Newbery Honor books of 2025 with Andrea L. Rogers’ Chooch Helped, which also won the Caldecott Medal this year for Rebecca Lee Kunz’s rich sunset-colored illustrations. It’s a picture book about a long-suffering older sister who watches as her two-year-old brother “helps” various family members complete their tasks, usually by accidentally making more tasks by spilling the flour, pulling up the newly planted garden vegetables, tearing out the stitches in a freshly sewn pucker-toe moccasin, etc.

The sister, standing in for older siblings everywhere, is exasperated. Although of course in the book she moves past that exasperation, once her parents point out that she’s one of her little brother’s most important teachers, I suspect that this book may not be a hit with older siblings. Why does no one ever validate their feeling that their younger siblings are so annoying!!!!

As a youngest sibling, however, I was enchanted, especially because this is exactly the stage my niece is in, although (knock on wood!) unlike Chooch, she’s usually not actively destructive when she “helps.” It just takes twice as long to get anything done when she’s “helping” water the plants or mix the pancake batter. But to an adult, it’s totally worth it to see her attempting to haul around a gallon or water or measure a teaspoon of baking soda.

(A side story: last week, as I was washing up the pancake dishes, she was trying to get a slice of orange onto her spoon. At last she announced, “I’m frustrated.” There is nothing cuter than a two-year-old using a ten-cent word, so of course I stopped to help her get that orange onto her spoon.)

The illustrations are just lovely, too. I love the sunset-hewed pallet, the way that the patterns on the characters’ clothes splash a little past their outlines, the Cherokee motifs that Kunz wove into the illustrations. There’s a particularly gorgeous illustration of Chooch gigging for crawdads with the friend of the family, both of them dark silhouettes against the orange water, and a pale gold moon with a glowing aureole of fireflies.

halfcactus

From Mookie Katigbak-Lacuesta's Hush Harbor:

Crust of Bread, and Such—

Neither the risen dough, or the plush
Square with its savory load, drip
Of marmalade or butter—I want the morsel,
The plate peppered with crumbs, the crust
Of bread. I want the edges, jagged where the knife
Kneads its urgent imprecisions, the scrawny
Bit on precious China. I want a small heart,
The color of old quarts and burnt rust.
Let stars do their work on an opposite sky,
Constellate the impossible shape
Of a far boy. Which is to say, I'm through
With want, as a cleaver to his crust.
I'm done the way rain is done
With its tinny shudder crossing glass;
The way the heart is done doing time
In a hard place—a clear shimmer of sky
Begging the same question, What?
What do you want?

Phototaxis

It's all the same with fire and flame,
The yellow rim of the brightest
candle. See how they hover and start
in wild flight without cause or aim,
pursue the yellow folly. A woman tells me
love is buckle on skin, whisk of a whip
at its hardest shake. The bright blue gash
on her inner thigh as he presses her
against the wall, saying sorry, sorry—
give to any plum wound
a dark arithmetic, and it evens out love.
Two mouths around a hollow shoot,
lit by a thin saber of light. Science tells us
they think it's the moon, but it won't be long
before the low plummet down.
Like moths to a flame, we say, but we call
only half the story. It might be the light
we know is the light by which we fall.
It might be. Come here.

umadoshi

Eating: This weekend is

scruloose's and my anniversary (year 22 is a go!), so last night we ordered Chinese roast duck and crispy pork belly and had half of it, with the rest set for supper tonight. Sous vide reheating works so well. This future is a complete nightmare in so many ways, but we sure do have cool kitchen technology. (Kitchen technology that spies on you, talks to the internet, and/or demands proof of your humanity is excluded from this praise.)

Reading: Two novels last week: Chuck Tingle's Camp Damascus and Alix E. Harrow's Starling House. I parasocially adore Chuck Tingle as a person, but this was my first time reading any of his work, and it's very possible it'll be my only time, as I just plain didn't click with this one. I had a better time with Starling House (and it too was my first book by its author), but also didn't really bond.

I'm currently about halfway through Adrian Tchaikovsky's Service Model, and can definitely see why it gets compared to Murderbot from some angles, although the vibe is wildly different and I can't say I would've made the comparison myself. (Ginny noted approvingly that anything people dare compare to her beloved Murderbot has a high bar to reach, and she feels it's fair in this case.) But then, whatever the things are that make a book really click/resonate for me, they don't seem to have any connection to the things that make people draw comparisons. Too nebulous, I guess. Anyway, this is an interesting read so far.

Watching: Murderbot, of course. I liked last week's episode a lot. Besides that,

scruloose and I saw ep. 2x02 of Kingdom [disambiguation: the historical Korean zombie show] and, for a change of pace, got back to watching the original Leverage.

Some of you may dimly recall that in the days before covid, there were a few years there where we and Ginny and Kas would go to

wildpear -and-family's place and watch TV on Sunday nights. We got through a couple of shows that way, and started in on Leverage, which I'd seen up to about halfway (?) through season 4 and then somehow wandered off from despite loving it, and otherwise only saw a couple of later episodes, including the series finale; Ginny had seen and adored the entire thing, and I think Kas was in the same camp as

scruloose and

wildpear and her then-partner and hadn't seen it.

We made it to...well, roughly halfway through season 4.

wildpear's kidling, Pumpkin, was old enough by then to want in on what we were watching, so they sat in for TV night, just in time for "The Grave Danger Job", which freaked them out really, really badly (fair! That episode is brutal!). My mental timeline here is very fuzzy on how long that was before covid arrived, but it wasn't too big a gap, and all in all, that was the end of our group watch. And I still basically hadn't seen past somewhere in season 4 (plus the finale). I watched the first few episodes of season 1 of Leverage: Redemption when that came out, and with that, too, I wandered off and kept meaning to get back to it.

But last week,

scruloose and I took the DVDs off the shelf and got back to it. We have now seen "The Boiler Room Job" (which I'm confident I'd seen before, but I wonder if I'll know for sure when I hit new-to-me episodes?). Hopefully this time I'll actually see it all through properly. In theory, at some point we'll get to have cognitive dissonance over Noah Wyle, which will be funny since Leverage: Redemption was where we first saw him but now my association with him is 95% The Pitt.

dolorosa_12

This is going to be a fairly short catch up, in spite of all the things that have been going on. I don't think I've posted properly on Dreamwidth for several weeks — but I have been massively busy. This weekend is the first time in quite a while that I've felt relaxed and not as if I were lacking in huge quantities of sleep.

My mum, and then sister #1 arrived to visit. Mum will be back (she's doing her usual multiple-month European summer holiday), but my sister just stayed for a few days. Currently the pair of them are in Italy, wandering around beautiful places (which I envy) in 35-degree heat (which I don't).

My sister's time in the UK coincided with Beyoncé's London concerts, and she asked if I wanted to go if she covered the costs (she's always wanted to see Beyoncé in concert and had never had the opportunity since she doesn't tour Australia any more) and dealt with all the palaver of sitting online refreshing the ticketing website when they went live. So now I can cross 'attend massive stadium concert' off my list of cultural experiences. The London weather did not cooperate (although fortunately our seats were under cover), but that didn't stop procedings: nine outfit changes, incredible band and dancers, lots of theatre and pyrotechnics, and of course music and stage presence enough to fill that vast space. I wouldn't say it's my favourite way to experience live music (I like gigs in weird little clubs with thirty other people), but I'm glad I went.

We only got home after midnight, and I then went out the next night to the silent disco ('90s music-themed this time) with Matthias, so I was completely exhausted.

Beyond that, my family's visit involved a lot of good food (my sister took me out for a meal at this place as a fortieth birthday present, she, Mum, Matthias and I went to this place for lunch, etc), some wandering around London, and a chance to see the excellent British Library exhibition on the history of gardening in the UK.

Unfortunately, my sister also brought her Australian germs with her, and I was then horrendously sick with a cold for most of last week, recovering just in time to head over to Worcester for a conference. Refreshingly, this was the first library or educational conference I've attended in several years that wasn't completely dominated by the topic of generative AI (indeed it didn't even get mentioned until one of the questions asked of the presenter of the final presentation), which was nice. I returned home on Friday, immediately cancelled my classes at the gym for Saturday, and collapsed in exhaustion.

My most recent reading (with the exception of Autocracy, Inc by Anne Applebaum) has been decidedly mediocre, and I think the combination of my low tolerance for a) poor editing and copyediting and b) 'cosy' fiction is going to lead me to be a lot more cautious in picking up any currently hyped SFF (especially fantasy) unless I am already familiar with the author. I came to the realisation after reading two such disappointing books in quick succession that although I love stories which involve a lot of domesticity, cosiness just does not work for me, since it seems to currently translate as no conflict (or the kinds of conflict that are easily resolved by a conversation, or a character spontaneously offering help with nothing previously building to that point). Hopefully I'll make better book choices after this previous run.

I think it's possibly fair to say that I want cosy cottagecore in my own life, and not in my fiction!

douqi posting in

baihe_media

I got this Taiwanese baihe space fantasy because I was already ordering a load of books from Taiwan anyway and thought I might as well take full advantage of having to pay the shipping fee. According to the cover copy and author's foreword, this is the first in a planned series of novels set in the same universe, and possibly involving the same characters.

In the Starsriver (月祈, pinyin: yue qi. The literal title translation is 'moon prayer'; In the Starsriver is the English title chosen by the author) is fundamentally a space fantasy f/f YA novel. The plotline is almost painfully simple: it's the story of space princess Cynthia, her space knight Leona, her space arranged marriage fiancée Flora (also a space princess, but the butch kind), and their joint coming-of-age. And there's not really a whole lot more to it than that.

( very vague, almost homeopathic spoilers )

I read the print edition of the novel from Must Muster Publisher, a Taiwanese outfit that seems to specialise in lesbian literature.

china_shop

Does anyone know where referring to diamonds dismissively as "the most boring form of carbon" is from? We picked it up somewhere (movie, tv, or book), and now we can't even remember if it was an ordinary character being geeky and pedantic, or a supernatural being eye-rolling at a human.

It could even have been Douglas Adams, except then I'm pretty sure a) I'd be able to identify it, and/or b) it would come up in an internet search.

sophia_sol

I'm aphantasic - I do not and cannot create pictures in my mind's eye. My mind does not have an eye. But there have been just a few times very recently where in the first moments upon waking in the morning, there's an image in my mind and I feel like I can SEE it. Like, see it see it! As if I were looking at it with my eyes! It always vanishes within a few moments, but my god, is that a glimpse into what it's like to NOT be aphantasic??

Now, though, I'm wondering which of several things is true:

1. Am I weirdly suddenly able to access a tiny amount of picturing things, out of nowhere?

Or

2. Is the dreamy confusion of waking up making me *feel* like I'm picturing things but not *actually* picturing things? It lasts so briefly that I actually can't be sure!

Or

3. Have I always genuinely able to picture things in my sleep, but not awake, but because I only conscsiously experience dreams through the medium of remembering them, I've never been able to tell that - and a change in recent sleeping habits means I have been holding on to a snatch of a dream just long enough to get the sense of it with my waking mind?

Or something else????

Anyway these brief snatches of mind-pictures have been a baffling thing to experience, as something I've never previously been able to do in my life ever, and all of a sudden I'm a little more of a true believer that other people DO do this thing all the time!

It always seemed so fake to me before. So made up. How could a person PICTURE things?! That's just a metaphor, surely! We're using words about images to describe the experience of thinking about a thing, because the actual experience of thinking is so unlike anything in the physical world that there are no words to describe it! Right? Right????

I guess for lots of people, they literally are creating pictures in their head with their brains, all the time.

WILD.

Now I really wish I had a better way to explain what my experience of thinking is like, tbh. Because all I have is metaphor, to translate it into words! But those metaphors are apparently concrete factual experiences to other people, so I won't be successfully communicating!

This is similar to my experience with words, btw. I *can* think in words, more than I can with pictures, but that's me deliberately creating the words and sentences. I'm translating my thoughts into words with conscious effort.

My thoughts aren't words. My thoughts aren't pictures. My thoughts are thoughts!

How are so many people's thoughts NOT just thoughts!

goss

Title: Jim
Artist:

goss
Fandom: Our Flag Means Death
Character: Jim Jimenez
Rating: G
Content Notes: For

drawesome Challenge #71 - Pride!. Digital drawing of Jim, an awesome non-binary character on Our Flag Means Death, using the non-binary flag colours yellow, white, purple and black. I was also inspired by the ceaseless fluidity and flow of the wide open ocean. :)

Preview:
Jim Jimenez

( Click here for entire artwork )

umadoshi

After making calls on Monday,

scruloose found a heat pump-servicing company that would do the repair etc. under our warranty from the manufacturer. A service tech turned up on Wednesday (!) at the time he said he'd be here (!) and assessed the situation, sourced the required parts locally (all three units needed their coils replaced, which the manufacturer apparently says was a known issue with models from that year that has now been fixed, so this theoretically shouldn't recur), and came back first thing yesterday morning to actually do the repair (and replace a noisy fan in the exterior unit). Labor and parts=all covered. Things seem to be working fine now. *knocks wood* It was a bizarrely good experience.

The cats were unsurprisingly unimpressed about being corralled in the bedroom repeatedly (both to keep them underfoot and to minimize their covid exposure as much as possible, in addition to all the purifiers running and

scruloose rigging the airflow so that the bedroom was pressurized and the tech wearing an N95 mask the entire time), but were mostly polite about it and appreciated the treats they got afterwards.

I just went poking around in the Kobo listings for Adrian Tchaikovsky ebooks, and stumbled over the fact that there's an ebook (Terrible Worlds: Revolutions) collecting his three Terrible Worlds novellas, none of which I've read and one of which is on my wishlist. The collected volume is going for $7.99 Canadian. The individual novellas go for $10.99 each. [EDIT: Regular prices, in all cases.] I don't have a specific way in mind that I think this should be handled, but surely there are better ways to price/label/offer ebooks.

The poking around came after the ebook for Tchaikovsky's Service Model, which Ginny just read and liked, turned up on the on-sale list this morning, so this is also a PSA about that. (At least for the Canadian Kobo site.)

marthawells

* Interview with Sue Chan, the production designer:

https://filmstories.co.uk/news/murderbot-designing-a-future-world-that-doesnt-look-like-alien/

“I started out by taking the most ancient societies on each continent – Etruscans, Asian, European, and African cultures,” Chan tells us. “I looked at the most fundamental motifs and gathered them into a bible, then asked my team to imagine 100 generations from now, when the diaspora of Earth have chosen to live together in society. How would they evolve a unified set of symbols? A language that really honours where they came from.”

This informed the alphabet that can be seen in the decoration painted across the otherwise grey, corporate habitat the PresAux crew are leasing. At the same time, acknowledging how much of the crew is queer and polyamorous, the colours of the rainbow are also entwined into their decorations.

“All of that is mashed up but it has a fundamental logic to it,” says Chan.

* Interview with Akshay Khanna (Ratthi):

https://squaremile.com/style/akshay-khanna-murderbot-actor-interview/

I’m incredibly excited for people to watch Murderbot on Apple TV+. Sci-fi has been my favourite genre by a country mile forever, and being on a show like this has always been a career goal of mine. Frankly, I had too much fun filming that show, and getting paid to do it constantly felt like I was getting away with something on set.

And the show is just so good. I can confidently say it’s fantastic – and if you don’t like it, then I would gently tell you that it’s OK to be wrong sometimes.

* Interview with Sabrina Wu (Pin-Lee):

https://www.autostraddle.com/sabrina-wu-interview-murderbot/

And then once I got the role, I read the books and I was legit just blown away at how funny the books were. I just haven’t seen such a dry sarcastic sensibility with this kind of hero sci-fi stories. And then I also just really liked that it was in the tradition of I felt like Octavia Butler, where it’s like, “oh, this is a queer imagining of the future.” So I don’t know. I just thought it was a really sweet, funny, different world. I also, obviously every comedian who becomes an actor, their dream is to get to work on something with action to move beyond an It’s Always Sunny kind of comedy. I believe there was already an opportunity for me to be in a spaceship and shoot guns, and it just made me happy that it was genuinely funny source material.

* Video interview with Tattiawna Jones (Arada) and Tamara Podemski (Bharadwaj):

https://www.youtube.com/watch?v=NllgfEekw9s

* And a video interview with Noma Dumezweni (Mensah)

https://www.youtube.com/watch?v=_ZpigqUqZXQ

* and a video interview with Noma and David Dastmalchian (Gurathin)

https://www.youtube.com/watch?v=361cKOujISE

* And a video interview (with a transcript) with Alexander Skarsgard, Jack McBrayer, and Paul and Chris Weitz:

https://collider.com/murderbot-alexander-skarsgard-jack-mcbrayer-creators-paul-weitz-chris-weitz/

* And there is a profile of me in The New Yorker (!!)

https://www.newyorker.com/culture/persons-of-interest/do-androids-dream-of-anything-at-all

* ETA: In ‘Murderbot,’ an anxious scientist and an autonomous robot develop a workplace-trauma bond

https://www.latimes.com/entertainment-arts/tv/story/2025-06-13/murderbot-episode-6-alexander-skarsgard-noma-dumezweni

Leading a TV series is a first for Dumezweni, who has previously been cast in smaller roles. She wasn’t convinced by the initial pitch at first because sci-fi hasn’t traditionally had a lot of major roles for actors of color.

“Usually I’d come in and play the receptionist,” she says. “I love to watch sci-fi. But I wondered: Who am I going to be in this sci-fi world?”

However, once she learned more about the world and the character, the actor changed her mind.

“It was an absolute joy to discover that there was nothing that Chris and Paul had to change to make it representational,” Dumezweni says. “It’s lovely not to have to fight for people’s positions in the world based on their skin color.”

*
ETA: Wanted to add this one real quick from BlueSky:

Vestal Magazine: Noma Dumezweni -- Off Canvas

https://www.vestalmag.com/noma-dumezweni

Set in a near future where the line between machine and human is increasingly blurred, Murderbot explores themes of identity, autonomy, and what it truly means to be alive through the eyes of a self-aware security android. Adapted from Martha Wells’s beloved The Murderbot Diaries novels, the series blends gripping sci-fi action with sharp, witty humor. At the heart of the story is Noma Dumezweni’s portrayal of Dr. Ayda Mensah, the thoughtful leader of a pacifist civilization struggling to uphold her community’s ideals amid a universe dominated by corporate greed and political tensions. Noma brings to the role a grounded strength, embodying the delicate balance between idealism and pragmatism as her character wrestles with the burdens of leadership and moral compromise. The parallels between Noma and Ayda run deep: both choose to lead with heart, courage, and conviction. “Your head will try to talk you out of that feeling of expansion. It will tell you, ‘You can’t do this,’” Noma says. “Trust your body, trust your instinct. Your body knows the truth.” That instinct and bravery have guided her career, from becoming the first Black actress to portray Hermione Granger on stage, a landmark moment for representation in theater, to winning two Laurence Olivier Awards and becoming a beacon of inspiration for a new generation of actors. Like Ayda, Noma has forged a path not only of leadership, but of quiet, transformative power.

Lovely photos in this!

halfcactus

Fanvid set to Mao Buyi's 借/Borrowing: In which Luo Weizhao borrows bits of everything to keep Pei Su safe and warm.

Clips were sourced from eps 1–27, with major spoilers for up to episode 16.

CW: flashing lights at around 1:00

Watch on YouTube

Also on: AO3 / Tumblr

( Translation notes )

lirazel

Dear Author,

It's been a few years since I've been able to participate in this exchange and I've missed it! I am generally quite easy to please so long as you avoid my DNWs, so I hope you enjoy writing a fic for me!

I've got a bunch of different pairings/OT3s with different preferences for each. The one thing that I most want for all of them is that the requested pairing/OT3 fall in love by the end of the story (if they aren't in love already) and a reasonably happy ending. By "reasonably" happy, I mean, the situation around them can be kind of dark, but they're together and that's what matters.

The first most important DNW is: infidelity. I am just not here for that.

I'm totally fine with people having pasts in which they loved/were with/were married to other people but by the time the characters get together, I want them both to be single. Or, in the case of an OT3 where two thirds of the characters are married to each other, they both need to be enthusiastic about inviting a third member into the relationship.

Some other DNWS:

+ PWP. Porn is fine, I just don't want the porn to be all the fic is. And porn is in no way necessary--you can write the most rated G fic ever if you like. I love all ratings equally.
+ Instalove/love at first sight (for anyone other Wangxian--infatuation at first site is okay for them--or Peter falling in love with Harriet because canon). As an ace person, it's super important to me that characters actually know each other before they fall in love.
+ Modern AUs of historical/fantasy fandoms. Canon divergence/what ifs are amazing, though, and if you want to twist the setting a little bit (giving Hodel magical powers or making Lan Wangji emperor or something), go for it. I just do not want to read about any of these historical/fantasy characters working in a coffee shop.
+ Major character deaths (unless someone comes back to life à la Wei Wuxian)
+ Character bashing
+ Unmitigated fluff (some fluff is fine! But I'd like some deeper feelings to dig into.)
+ Onscreen noncon
+ Focus on babies/children
+ Watersports/scat
+ BDSM outside the bedroom

General likes: angst, especially if it ends happily; getting together; hurt/comfort; mutual pining; in character characters; complicated relationships between women; good worldbuilding; longfic; outsider povs; location/setting as character; political intrigue; forced proximity; good people trying to do the right thing; bad people trying to do the right thing; found families; siblings; porn with feelings; character A having to rescue/defend character B; total devotion/us against the world dynamics. I also love the other characters in these canons, so bringing them into the fic in large supporting roles is great!

Now onto the requests.

( The Queen's Thief )

( Six of Crows )

( Fiddler on the Roof film )

( The Untamed )

( Shadow of the Moon )

( Spinning Silver )

( Life with Derek )

( Lord Peter Wimsey series )

nnozomi posting in

senzenwomen

Shugensha Hamako was born in 1881 in Yokohama, where her father was general manager of the Nozawaya department store; her original family name was Ogiwara. She began studying the koto at the age of four, mastering numerous different styles of performance and also showing an interest from early on in merging koto music and dance. Among others, she worked with the “father of modern koto music” Miyagi Michio. As well as becoming a leading koto performer, she wrote and arranged music in various styles.

In temperament she was extremely serious and meticulous, but with a dry sense of humor, a pampered only daughter of a rich family (who at age sixteen was given 100 yen as allowance for a trip to Tokyo, an absurdly huge sum equivalent to something like two or three thousand dollars now; she bought a boxful of books and hired someone to carry it home for her). Her hobby was collecting Japanese swords. She had a weak stomach and dined for years on steak and exactly six grapes, prepared by her mother.

Among Hamako’s musical compositions were a part of the poet Kujo Takeko’s “dance poem” “Four Seasons” as well as a section of the literary figure Tsubouchi Shoyo’s play New Urashima, both of which were well received. She also composed music for the dancer Takahashi Motoko (Fujima Kansoga), a close friend sometimes referred to as a lover in Hamako’s diary. After losing her home in the 1923 Great Kanto Earthquake, she lodged with Tsubouchi’s family and taught koto under the professional name Shugensha, acquiring numerous devoted students, mostly women. She died in 1937.

Sources
Mostly Hasegawa Shigure’s mini-biography of her in Modern Beauties (they were friends and collaborators on the Urashima performance among others, and the biographical portrait is presented in part as an adorable conversation about Hamako between Shigure and one of Hamako’s koto teachers)

philomytha

So last year I got a couple of the French Biggles comics for my amusement, but I haven't written any of them up properly. This one is probably of most interest to at least some of you, being a proper Biggles vs von Stalhein adventure with a fairly lively plot (the other one, promisingly titled Biggles contre von Stalhein, actually only has a little bit of EvS, admittedly commanding the palace guard in a South American revolution where Biggles is on the side of the revolutionaries, but with only a few appearances in the story). Anyway, I gave my French a workout to read them. This one, incidentally, is the one where the drawing of EvS with that colourful cravat comes from: the artist has clearly heard that he's a snappy dresser and is having fun with it. It's also the one where Biggles and EvS very nearly get shipwrecked together. In general the plot only makes sense if you don't think about anything at all, but it is very well equipped with explosions, vehicular adventures, dramatic escapes, chases and secret bases, so who cares :-D

( Biggles retrouve von Stalhein in detail )

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Page Summary

chestnut_pod - My own TEW creations
osprey_archer - Wednesday Reading Meme
lirazel - Y'ALL!
dolorosa_12 - I wish this were an exaggeration
marthawells - Things Coming Out Next
marthawells - Another Murderbot interview
osprey_archer - Picture Book Monday: Chooch Helped
halfcactus - It might be the light we know is the light by which we fall.
umadoshi - Weekly proof of life: mostly media, including a review of my history with Leverage
dolorosa_12 - We can rely on each other from one corner to another
douqi in baihe_media - In the Starsriver (月祈) by Yue Xiao Yi (月小伊): Review
china_shop - orphaned quote
sophia_sol - aphantasia
goss - Art (Drawesome Challenge #71- Pride!)
umadoshi - Heat pump repair | Random ebook pricing weirdness
marthawells - Murderbot Day
halfcactus - Fanvid: "借/Borrowing" (Justice in the Dark, Luo Weizhao/Pei Su)
lirazel - Just Married Dear Author Letter
nnozomi in senzenwomen - Shugensha Hamako (1881-1937)
philomytha - Biggles retrouve von Stalhein

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