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The plan for the kawas (gods) to leave after the last rain falls is disrupted by a human girl. According to some random Taiwanese blogs, they used general concepts from Amis mythology, but any particular story/kawas is fictional.

The good:
The worldbuilding is TIGHT, very cleanly done.
It started very strong, doing a great job of subtly setting things up without explicitly overexplaining.
The arcs that did get resolved, where they revisited earlier scenes from new perspectives, were incredibly satisfying.
The reveal of the motivations of the character you're set up to think is the villain is VERY good; in only a few minutes, it totally recontextualized everything in a believable, yet unexpected, way.
Toem, a character who's written to be ambivalently evil, is also incredibly acted and has great scenes (and outfits! and earrings!).
Generally, the other world set is used to great advantage, as are subtle special effects, though the male lead's fortress/house is uh, hilarious.
Early on, the otherworldliness of the kawas was subtly contrasted with humanity's concerns in how they handled problems, though this got dropped in the genre shift (see below).
The folktale at the beginning of each episode is really interesting: sometimes clever, sometimes overextended.
For some reason, they seemed to have a very large music budget, with many new pieces appearing towards the end of the show.

The bad:
The plot is extremely unfocused as a result of trying to tackle too many elements: one of the reasons the ending feels unsatisfying, as noted by [personal profile] halfcactus is because it changes from a story about the female lead, which is shaped like a family centric story, to one about the male lead, which is shaped like a romance.
Certain subplots were very draggy, in particular the romance (in retrospect, makes more sense since that was the story they were trying to tell), the guilt arcs, and when they were trying to do something clever with a slow reveal (made it hard for the watcher to participate since so much was omitted).
I really, really hated the henpecked storyline; it was a bad relationship in a boring way.
There are some interesting implications of the memory tampering allowed by the Comb of Memories, which they... didn't fully explore and they didn't even lean into how fucked up it was.
[personal profile] halfcactus summed up the ending well as a fix-it fanfic (in a literal, not figurative way). This left SO MANY dangling, important plot threads?

Overall, when it hit, it was VERY good, but there were major pacing issues because it spent a lot of time on things that weren't important and ended up unresolved. Still, I would recommend it overall, as the worldbuilding was fantastic and the way they tried to tell the story ambitious.
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Kindred: Neanderthal Life, Love, Death and Art, by Rebecca Wragg Sykes: A rather long (though not as long as I thought as I was reading, the last 12% is an index) pop sci book summarizing the historical and current state of research on Neanderthals and speculating (pretty conservatively?) about the unknowns. (From [personal profile] narie's suggestion!) Scientifically, it did not dwell on the pieces I was more interested in (how were the reconstructions done etc), in favor of tons of detail about exact remains (reasonable, and even interesting when they reappeared in later chapters). I had complained about pop sci books not having enough detail; this attempts more successfully to be basic survey of the field than most, but lacks the citations and further readings that something for the scientific audience would have, and that I did miss. The flavor text in the beginning of each chapter were largely uninteresting, and the prose did sometimes become... purple. I'd only rec this if you were very interested in nonfiction or Neanderthals and also a fast reader. Favorite footnote, explaining how they knew the babies were breastfed: "Nitrogen in part tracks the place in the foodchain, and since babies are effectively eating their mother’s bodies, this makes them look like hyper-carnivores."

Light From Uncommon Stars, by Ryka Aoki: Speculative fiction combining deals with the devil, interstellar refugees, and violin prodigies. I was skeptical of the opening scenes, which were a bit jarring as they tried to combine those very different strands, but was quickly sucked in. I didn't overall think it quite worked all the bazillion elements it tried to sprinkle in into one whole story (food/location shout outs, wildly varying levels of description, anti-trans violence, in addition to the intrinsic everything about the premise). Also, I'm not usually a fan of the intrinsic genius trope. However, it had great momentum and I did compulsively read the whole thing in one shot, so I would rec if the premise seems fun.

Delicious Romance (爱很美味): Short drama about three 30 year old women navigating work drama and their love lives, hyper targeted to 30ish women. Very much 'it's the journey, not the destination,' and ends on an ambiguous note (setting up for a movie sequel). The more meta-ish pieces were very natural and fun-- e.g. they have the kid versions of the leads, who are very well cast, providing backstory and commentary and those scenes are nearly all very well done. Generally, when it's good, it's not afraid of being cynical or making sharp commentary, mostly about the pressures on women. It also presents a positive view of drag, even if the gay guy is a bit shoehorned in. I guess overall, maybe half of the show (early on, then again towards the middle-end) was engaging, but half was full of super cringey, unrealistic plot lines. Lots of choices for humor or how workplaces work being done for the effect, and then post justified or just left to drive the plot. (Allergies in show have no relationship to real life; spelling out of harassment/sexism so you get The Point; very rosy view of the work needed in a restaurant.) Ultimately, the major problem was that the show did not meet the expectations of the usual cdrama strength of interesting, compelling characters and relationships, which is core to a show like this. I'd only recommend this for people who are both really into this genre and have free time.

High on the Hog ep 1: Exploring African American cuisine, with a focus on history; the first episode is set in Benin. (From [personal profile] dolorosa_12's rec) I really liked one of the interviewees, Jessica Harris, who was very knowledgeable, but the show was somewhat superficial in focus, not going in depth on the history or food. For example, at one point they eat foods that are meant to be foods that predate the trans-Atlantic slave trade, but it involved both corn and chilis? I'm not sure if I missed something obvious, but it would seem that that would need some more words of explanation. There were some interesting scenes, I just need higher information content in my documentary style shows.

Passing (2021): In 1920s NYC (and shot in black and white!), a black middle class woman unexpectedly meets her childhood friend, who has married a white man and now passes as white. From [personal profile] silveredeye's rec! My little brother observed that this felt like English class, with all the ~symbolism~ etc etc, but I thought it was in a way that I enjoyed? I also totally called the foreshadowing of the [rot13] sybjrecbg snyyvat vaqvpngvat gung fbzrbar jnf tbvat gb snyy bhg bs n ohvyqvat naq vg jnf tbvat gb or nzovthbhf jung unq unccrarq, so perhaps I was just in the English class mode haha. It was rather heavy handed in the commentary on class (the childhood friend can cross class boundaries while the protag enforces her class boundaries) and also when they reiterated the characters' motivations to make sure you picked up those details. Anyway, I enjoyed it, but I'm not sure it'll be something I come back to?

Monument Valley: A cute little puzzle mobile game, recced by [personal profile] halfcactus. I can't say it was really worth the $4 though, for maybe 2-3 hours of easy content? It comes with the base 10 levels, and a small Ida's Dream standalone. There's some more chapters and a sequel game to buy, but it was just rather boring and fiddly (the mobile controls on spinning were not great). Great art and music though.
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This show would sound totally not up my alley from the premise. A comedy about sportsball?! But it was so highly recced by so many people that I had to check it out and you guys.
 
It is definitely worth watching!!
 
The premise: Rebecca Walton is the new owner of AFC Richmond after an acrimonious divorce and wants to tear the team down. It's the only thing her ex-husband truly loved you see. So, she hires Ted Lasso, a DII American football coach, as the next coach of this Premier League (association) football team. DII is the second of three tiers of collegiate level sports in the US; the Premier League is the top of the pro level football. Ted is (obviously) not prepared and knows nothing about football, but what he has is a gift for emotional earnestness. The sportsball part doesn't really matter for understanding the plot. Relegation bad, you can osmose that pretty quickly. (Presumably you understand more of the jokes if you know football.)
 
Let me get the things I didn't like out of the way so I can gush after. First, Ted apparently never learns even basic rules about football even at the very end of the season. Yeah, it's played for laughs, but c'mon, that's way lazy. It's lampshaded a real tiny bit near the end, but I didn't like it! 
 
The other problem is it leans a bit hard on the stereotypes for secondary characters-- and because most of the core cast is white, this means many of the characters of color get little more than a happy-go-lucky (or other) stereotype with a bit of padding. The show does try to subvert expectations -- at one point Ted gives a little Army toy (that his son gave him to keep him safe) to one of his players, but well, the player points out that he doesn't have pleasant associations with the American military. But at the end of the day, the vast majority of the main cast is white, and that's the result of that choice. 
 
And the tiniest complaint: the accent Ted uses is real weird. After listening to the actor's interviews, it seems that he has a midwestern accent and is putting on a southern accent?? W-why not just keep your distinct midwestern accent, which surely registers as a very American accent??
 
OK Now the stuff I loved. I am a total sucker for EARNEST FEELINGS and well, you get a lot of those. They do not spare those. When the situation calls for a serious talk, a serious talk is what happens! (But like, with jokes. Not so serious as to be boring.) I mostly don't like comedies because second hand embarrassment is a huge squick, but Ted Lasso does a neat turn around each potential moment that meant that I never cringed away from the screen. 
 
Keeley, a B list model who dates the star player, and Roy, the aging, angry captain, sometimes do feel like a little bit too stereotyped at the beginning, but I quickly fell in love (much as Roy reluctantly comes around to Ted...) by the middle of the show. Really, I think they cast so well. All the actors delivered so well, during the comedic moments and the emotional ones. 
 
Trent Crimm, a skeptical journalist who is extremely reluctantly charmed by Ted, and the other Richmond fans who are also extremely skeptical yet reluctantly charmed, were exactly as great as you can imagine from that description. Love it.
 
Also I ship Keeley/Rebecca. Though Roy may be more emotionally aware than Rebecca, hard to say there. 

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